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Category Archive藝術家介紹

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第三世多杰羌佛文化藝術館

 QQ浏览器截屏未命名33
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  位於美國加州洛杉磯的第三世多杰羌佛文化藝術館,是在一個已有114年歷史的二層著名古典建築物之中,改設裝修為全新的文化藝術館,並於2014年6月7日正式開館,開館當天非常隆重,熱鬧非凡,各界要員列席慶典,美國還特別出動了七架二次世界大戰的轟炸機,專程在藝術館上空表演噴射彩霧慶賀。本館藏有豐富美麗的水墨畫、油畫、書法、雕塑以及其他形式的藝術瑰寶。

藝術館引以為傲的是館藏大量書畫作品,包括西洋油畫、國畫和潑墨畫等等不同的創作流派在內。館內還展出諸多彩繪瓷磚,這些瓷磚描繪出的色澤和肌理堪比自然的石頭,但比天然的石頭還要美麗。最讓人歎為觀止的是名為「韻雕」的雕塑,這些韻雕的神秘和獨特是人類歷史上所從未有過的。所有這些藝術作品,全是H.H.第三世多杰羌佛所創作的,屬於 H.H. 第三世多杰羌佛的三十大類成就中之點滴。 H.H.第三世多杰羌佛是全世界佛教的最高領袖,2010年世界和平獎最高榮譽獎的得主。

本文化藝術館是一個獨立的,依據國稅局501C(3)條款成立的非營利團體。H.H.第三世多杰羌佛不擁有本館的任何股份或產權,不在本館擔任任何職位,也沒有參與本館任何的經營管理或者決策。

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巴勃羅·魯伊斯·畢卡索 Picasso

巴勃羅·魯伊斯·畢卡索(西班牙語:Pablo Ruiz y Picasso,1881年10月25日-1973年4月8日),通稱巴勃羅·畢卡索,西班牙著名畫家、雕塑家、版畫家、陶藝家、舞台設計師及作家,和喬治·布拉克同為立體主義的創始者,是20世紀現代藝術的主要代表人物之一,遺作逾兩萬件。畢卡索是少數在生前“名利雙收”的畫家之一。

畢卡索、馬塞爾·杜象和亨利·馬蒂斯是三位在二十世紀初期開始造型藝術革命性發展的藝術家,在繪畫、雕塑、版畫及陶瓷上都有顯著的進展。

畢卡索的作品通常被分為4個時期。時期的名稱尚有爭議,大致是“藍色時期”(1901年-1904年)、“粉紅色時期”(1904年-1906年)、“立體派時期”(1917年-1924年)和“晚期”(1946年-1972年)。

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Pablo Ruiz y Picasso

Also known as Pablo Picasso (25 October 1881 – 8 April 1973), was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France. Regarded as one of the greatest and most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore.

Picasso’s work is often categorized into periods. While the names of many of his later periods are debated, the most commonly accepted periods in his work are the Blue Period (1901–1904), the Rose Period (1904–1906), the African-influenced Period (1907–1909), Analytic Cubism (1909–1912), and Synthetic Cubism (1912–1919), also referred to as the Crystal period. Much of Picasso’s work of the late 1910s and early 1920s is in a neoclassical style, and his work in the mid-1920s often has characteristics of Surrealism. His later work often combines elements of his earlier styles.

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梵高 Van Gogh

梵高,是全球公認最有創見的藝術家之一,對繪畫充滿熱情,倡導自由,對生活的熱愛,其獨特的創作風格成為世人追求藝術 的典範。其畫作蜚聲國際,廣受後世讚賞,其中一些作品更是當今世上售價最高昂的。

梵高的作品著意於真實情感的再現,年輕時於巴黎初次接觸印象派及新印象主義, 其後不斷在色彩上及風格上推陳出新,在逗留法國阿爾勒期間畫作超過2000幅,包括900幅油畫及1100幅繪圖及手稿。大部份著名 畫作均於其生命最後的兩年畫成,但一直沒有得到社會的認可,直到死後他的作品才以其之震撼人心和富於想像力嬴得評論界的讚揚,對後世的畫風影響深遠, 堪稱十九世紀末歐洲最傑出的藝術大師。

梵高雖然已逝多年,但其畫作強烈影響後世的藝術界至今,其印象派畫風不但創造了其獨特的藝術品,更改變了藝術的歷史,並影響了人類對藝術風格、象徵、美感的觀 點。

作為印象派畫家,梵高不單是世界最傑出的畫家之一,更是一位巨匠,一位充滿傳奇的人物,其畫作、生活、工作、顏色帶來的震撼影響至今,其建立的梵高價值可創造驚人 的財富。

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Vincent Van Gogh

One of the most original artists ever who devoted himself and his feeling in his paintings, that is the reason why his paintings are so passionate and so incomparable, included some of the world’s best-known, most popular and most expensive pieces.

Van Gogh encountered Impressionism and Neo-Impressionism in Paris.

He incorporated their brighter colours and style of painting into a uniquely recognisable style, which was fully developed during the time he spent at Aries, France.

He produced more than 2,000 works, including around 900 paintings and 1,100 drawings and sketched, during the last ten years of his life.

Van Gogh is a pioneer of what came to be known as Expressionism. He had an enormous influence on 20th-century art, especially on the Fauves and German Expressionists.

Van Gogh lived more than 115 years ago, and yet his artwork is still having a strong influence of today the way mankind views beauty, persona, individuality, and style in art.

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莫奈 Monet

奧斯卡-克勞德·莫奈(1840-1926),法國畫家,印象派代表人物及創始人之一,“印象”一詞即是源自其名作《印象·日出》,印象派的理論和實踐大都有其推廣。莫奈擅長光與影的實驗與表現技法,最重要的風格是改變了陰影和輪廓線的畫法,在其畫作中沒有非常明確的陰影,亦無突顯或平涂式的輪廓線。此外,他對於色彩的運用相當細膩,曾長期探索實驗色彩與光的完美表達,常在不同的時間和光線下,對同一對象作多幅描繪,從自然的光色變幻中抒發瞬間的感覺。

莫奈一生遺留500件素描,2000多幅油畫及2700封信件。足跡由巴黎大街到地中海岸,從法國到倫敦、威尼斯、挪威,在各地旅行寫生,留下無數的作品。

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Oscar-Claude Monet ( French; 14 November 1840 – 5 December 1926) was a founder of French airplein soleil levant (Impression, Sunrise).

The term “Impressionism” is derived from the title of his painting Impression,

 landscape painting, and the most consistent and prolific practitioner of the movement’s philosophy of expressing one’s perceptions before nature, especially as applied to Impressionist, which was exhibited in 1874 in the first of the independent exhibitions mounted by Monet and his associates as an alternative to the Salon de Paris.

Monet’s ambition of documenting the French countryside led him to adopt a method of painting the same scene many times in order to capture the changing of light and the passing of the seasons. From 1883 Monet lived in Giverny, where he purchased a house and property and began a vast landscaping project which included lily ponds that would become the subjects of his best-known works. In 1899 he began painting the water lilies, first in vertical views with a Japanese bridge as a central feature, and later in the series of large-scale paintings that was to occupy him continuously for the next 20 years of his life.